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	<title>Comments on: Bright Eyes &#8220;I&#8217;m Wide Awake It&#8217;s Morning&#8221; (Best of the Decade)</title>
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		<title>By: sean</title>
		<link>http://www.culturebully.com/bright-eyes-im-wide-awake-its-morning-review#comment-292916</link>
		<dc:creator>sean</dc:creator>
		<pubDate>Sun, 23 Aug 2009 04:13:16 +0000</pubDate>
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		<description>The entire appeal of Conor Oberst was the frantic nature of his output. Wide Awake marked the beginning of what I call his adult alternative contemporary period, which has never caught my ear in the same way. I&#039;ll take the inconsistent-yet-brilliant nature of Fever and Lifted over anything he&#039;s done since. Not that there aren&#039;t things I love on Wide Awake (and Digital Urn), but nothing that matches &#039;False Advertising&#039; or &#039;The Calendar Hung Itself&#039;. Back then he sounded like a man who could come apart at any given moment, and I&#039;ve never heard the same passion from him since.

That being said, I saw him on the Wide Awake tour when they were out playing shows with Nick Zinner on guitar &amp; The Faint opening, and it was outstanding. Quite the production. Though I think I preferred the simpler arrangements for the Lifted period, when he opened for Belle &amp; Sebastian.</description>
		<content:encoded><![CDATA[<p>The entire appeal of Conor Oberst was the frantic nature of his output. Wide Awake marked the beginning of what I call his adult alternative contemporary period, which has never caught my ear in the same way. I&#8217;ll take the inconsistent-yet-brilliant nature of Fever and Lifted over anything he&#8217;s done since. Not that there aren&#8217;t things I love on Wide Awake (and Digital Urn), but nothing that matches &#8216;False Advertising&#8217; or &#8216;The Calendar Hung Itself&#8217;. Back then he sounded like a man who could come apart at any given moment, and I&#8217;ve never heard the same passion from him since.</p>
<p>That being said, I saw him on the Wide Awake tour when they were out playing shows with Nick Zinner on guitar &amp; The Faint opening, and it was outstanding. Quite the production. Though I think I preferred the simpler arrangements for the Lifted period, when he opened for Belle &amp; Sebastian.</p>
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		<title>By: fuck you</title>
		<link>http://www.culturebully.com/bright-eyes-im-wide-awake-its-morning-review#comment-292100</link>
		<dc:creator>fuck you</dc:creator>
		<pubDate>Fri, 21 Aug 2009 04:28:28 +0000</pubDate>
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		<description>all of conor&#039;s shit sucks--get a real job, cause this one isnt doin it for ya</description>
		<content:encoded><![CDATA[<p>all of conor&#8217;s shit sucks&#8211;get a real job, cause this one isnt doin it for ya</p>
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		<title>By: Jimmy Schnobrich</title>
		<link>http://www.culturebully.com/bright-eyes-im-wide-awake-its-morning-review#comment-291476</link>
		<dc:creator>Jimmy Schnobrich</dc:creator>
		<pubDate>Wed, 19 Aug 2009 14:53:06 +0000</pubDate>
		<guid isPermaLink="false">http://www.culturebully.com/?p=28450#comment-291476</guid>
		<description>When those two albums came out I told everyone I was more stoked for Digital Ash but eventually ended up listening to that album more.  I think you&#039;re right.  It&#039;s probably his best album.</description>
		<content:encoded><![CDATA[<p>When those two albums came out I told everyone I was more stoked for Digital Ash but eventually ended up listening to that album more.  I think you&#8217;re right.  It&#8217;s probably his best album.</p>
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