How can a band named Gay Witch Abortion stir any more controversy? Simple. Take forever to release an album, then make one and call it Maverick. That word, and the initials ‘RNC,’ aren’t taken too kindly to by folks in these parts. Maverick could be considered the protest soundtrack to the Republican National Convention, setting a tone reminiscent of Trans Am’s Liberation, an album released in a post-9/11 Washington D.C. Envision protesters marching on the State Capitol to “Down With Giants,” then getting run down and tear-gassed by the “Action Cop.” In keeping with post rock form, Gay Witch Abortion minimizes the human element behind the guitar and drums. Songs with vocals are used as experiments in sound. The lyrics don’t matter, what does is the final product, what each song builds into by the end of its progression. Some songs are easier to digest, like “Unblinking Sun,” that sounds just as the song’s title suggests. But this kind of rock isn’t about making it easy on the listener. This is art rock, music that forces the listener to intellectualize what’s going on, without providing any answers.

[review by guest contributor Crystal Erickson]

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