Neko Case & Crooked Fingers @ State Theatre

Neko Case played a strong set Sunday night at the State Theatre that showed her amazing voice and her consistently great songwriting, both of which have helped to set her apart as one of the best female singer-songwriters of the last few years.

Case, backed by a stellar five piece band, played a 90 minute set that highlighted her last few studio albums. The band, which at various times featured banjo, electric and acoustic guitars, electric and upright bass, backup vocals and steel guitar, was an excellent compliment to Case’s amazing singing. The stage was set up with a video screen behind it that played some interesting videos that meshed with the songs being played. While visuals can often come across as cheesy and overdone to me, the footage shown during the set did a great job of adding a visual layer of texture to the warm Americana songs the band was playing. In addition to the video screen, there was also a giant owl overlooking the stage that added to the animal-themed nature that seems to be such a big part of Case’s repertoire.

The band started the set with a great one-two punch of “Maybe Sparrow” from Fox Confessor Brings the Flood and “People Got A Lot Of Nerve” from her latest album Middle Cyclone. The band, with the exception of her quirky co-vocalist, kept a low profile and provided a steady hand that helped guide along the serene vocals from Case. Middle set highlights included a somber take on “The Most Tender Place in My Heart (Is For Strangers),” which she co-wrote with the Sadies and a charging version of “I’m an Animal.” The band also did a great cover of Harry Nilsson’s “Don’t Forget Me” before ending the set with “This Tornado Loves You.”

While the crowd was giving the band a well deserved standing ovation, they quickly came back out for a four song encore and Case started with a stripped down version of “Vengeance is Sleeping” from Middle Cyclone. The song featured only the two female vocals and some sparse guitar work, which really brought out the melancholy nature of the song. After a low key version of “Never Turn Your Back On Mother Earth,” the band played “Magpie to the Morning,” both from Middle Cyclone. The band finished the set with a great take on “Knock Loud” before leaving the stage to second standing ovation that the great show had rightly earned.


Openers Crooked Fingers, fronted by former Archers of Loaf leader Eric Bachmann, opened the the night’s show with a strong 40 minute set highlighting his mellower late-career material. The songs were both restrained and charming, each featuring Bachmann mixing his vocals with his female bassist. His tunes, featuring him on both classical guitar to finger picked electric, were a melancholy and haunting take on American folk music.
[Review by Josh Keller, photos by Jon Behm]
Neko Case: Official | MySpace | Wikipedia
Crooked Fingers: Official | MySpace | Wikipedia

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Nice work on this guys-I was really bummed to have to miss this show. Glad you enjoyed it.
Erik, i gotta be honest… i’ve seen Neko probably 7-8x now since ‘01 and this was my least fave set of hers by quite a bit.
not to say it sucked, but it wasn’t a truly great Neko set by any means either.
Solace has a valid point. I saw her at the 9:30 club in DC. Although I love her, maybe she could just turn the guitar up and let the drummer use sticks instead of brushes. It won’t take away that unique sound or gorgeous voice. I’m also not sure I like the direction she’s going in, but she’s amazing.
As far as better or worse than before..I have never seen her live before, so don’t have a point of reference for that.
I have always thought she was immensely talented (at least singing), but can’t say I would go out of my way to see her again, even if her other shows have been more exciting. I think I “get” what she can do live and was happy with the result, but can’t imagine her ever completely blowing me away in a live setting.
Were her “better” shows in smaller venues?
all but one was…
one of the first times i saw her was opening for Nick Cave in the same State Theater where the energy of that show was palpable (granted opening for Nick Cave would make anyone excited i’d imagine)
i think it was a combo of the large venue + a large % of newer material (which while gorgeous, is a bit sleepier on average than previous records).
the pace of the show was just really really slow. too much downtime between songs (which led to the funny, but somewhat predictable, banter). she could have stood to throw in a few more uptempo songs like ‘Guided By Wire’, etc. even ‘The Tigers Have Spoken’, which was probably the most uptempo song on Sun, seemed tepid to me.