Rage Against The Machine, Queens of the Stone Age & the Coup @ Alpine Valley Music Theatre

By Chris DeLine on August 30, 2007 in Music Features

Playing to at least 35,000 attendees Rage Against The Machine played its only scheduled Midwest date of the year last Friday at the Alpine Valley Music Theatre. The day was hardly a gem on its own accord, offering anywhere between a slight drizzle to a heavy downpour, all to the disdain of the crowd who gathered under and around the outdoor amphitheater. But not only did the show go on, but it went off without a hitch.

The Coup found themselves playing to a relatively empty audience to open the show. MC Boots Riley entered the stage behind a full band, and a sound alien to fans of the group’s studio releases – hard rock. While last year’s release, Pick a Bigger Weapon, played as on of the year’s best hip hop albums the large capacity outdoor environment dwarfed the group’s new sound, one that fell on many deaf ears. Somewhere along the line the group’s presence at the concert went unpromoted and the audience, full of Ozzfest seasoned concert goers, obliged likewise – only acknowledging the band enough at times to boo them.

Ultimately the unfortunate circumstances failed to put a damper on the group’s enthusiasm as Riley and crew continued to trudge through key tracks such as “We Are The Ones” and “My Favorite Mutiny.” While The Coup was musical “on” its sound seemed a tad false on the occasion as it lacked the tremendous rhythms and beats which its albums historically focused on with such skill; The Coup almost pandered to a rap-rock crowd while forgetting that its crowd was far more rock than rap on this particular evening.

Queens of the Stone Age followed after an extended intermission, playing an hour long set heavy with tracks from its recent Era Vulgaris and the ever-popular Songs For The Deaf. On the way to the event, discussion focused on the question of how bassist Michael Shuman would fill the spot within the group that many still associate with Nick Oliveri. Answer – the young musician offered ear-shattering vocals and gave his bass an incresingly furious thrashing; without a doubt he filled the role better than any could have imagined.

Crushing through many of the band’s standards including “Feel Good Hit of The Summer” and a jam-fused “Burn The Witch,” singer Josh Homme used his platform to raise the bar on the evening’s stage banter a few notches. First getting the entire crowd to clap in (semi) unison, Homme then hyped their stage-mates, “Y’know, there’s a band we’ve been waiting to hear for a few years.” As the crowd screamed and cheered he continued, “And I just go with the flow;” the band then slammed into its hugely popular 2003 single. As the band’s heavy smoke and light show faded out with its hard hitting “Songs For The Dead” tension began building and fans began to cringe in andicipation as Rage Against The Machine would soon hit the stage.

The long wait, only made longer by the building tension, was finally halted as Tom Morello’s mother, Mary, came out t0 the stage – a sight familiar to those who had seen the band before in person or on video. “I’d like to introduce the best fucking band in the universe. Rage Against The Machine.” Morello then escorted his mother to the side of the stage as the crowd went rampid to the opening sounds of “Testify.” What happened from there cannot be defined as orgasmic, nor can it be defined as amazing, breathtaking or mind blowing…it was simply legendary. “Bulls on Parade” upped the anti of “Testify,” the entire crowd thrashed about in unison as Morello swirled about on stage; again – the things legends are made of.

Throughout the performance the band refused to break away from playing its well versed album cuts and the crowd refused to stop thrashing about and belting out the accompanying lyrics.

As the encore reached its peak with the ever-so-appropriate chorus of “Killing in the Name” the entire grounds were lit up revealing the hillside covered in music fans. For a moment (despite previous mudslidding, overly homoerotic behavior and drunken debauchery) the crowd was unified by the strength radiated from the stage and was simply beautiful. With only a few minutes of soapboxing during “Wake Up” (and receiving a mixed reaction from the crowd of liberal conservatives by condemning Democrats and Republicans equally) Zach de la Rocha showed no signs of rust after a nearly half-decade absence. Throughout this show, as I can only he has done with recent festival spots, he reinforced not only his presence in the history of music, but made damn sure that the lively Tom Morello, Tim Commerford and Brad Wilk would not be remembered last for their roles in Audioslave. And if for only that fact, that is reason enough to praise the band’s reintroduction into both our lives and our culture.